Wednesday, November 23, 2011
A number of factors have conspired to get me to try some very small linocuts. Part of it is a holiday show of smaller works at the Manayunk Roxborough Art Center, part of it is the lower prices I can charge just in time for the holidays, and probably part of it is just the lack of pressure on me when I do something small.
In addition my plan is to hand color each print with a bit of watercolor. I guess the main reason for this is that I'd like the print to look something like the small watercolor and ink version of this I showed a week or two ago. Who knows how this will work. To see a masterly combination of linocut and watercolor look at the work of Andrew Haslen. One of his prints was often shown in media coverage of the Society of Wildlife Artist's 'The Natural Eye' show that I was also in a few weeks ago. It reminded me of how much I like what he does with the combination.
I'm afraid that I won't do anything very similar here though. Most artists seem to use linocuts to create the outlines of forms then use watercolor to fill in, though sometimes with a very sophisticated 'filling in.' But as usual I'm trying something different. There are very few outlines in this print, outside of the osprey itself. And the black ink and white paper will provide most of the fill color there.
That just leaves the grasses, water, and distant grasses. So I'll just add a few colors in indistinct areas. That is similar to the watercolor so that's what I'm going for.
It may not work at all. But that's the virtue of working so small. If it doesn't work I haven't lost much in the way of time or materials. So sometime after Thanksgiving we shall see what happens. And to be on the safe side I may just print a few with no added watercolor.